I have been asked to produce a poster for a techno night in London named Slump Sounds which is run by two of my good friends. They wanted this poster to include their logo and to have low-res or static features.
Below shows development and final outcome:
Thursday, 10 May 2018
Wednesday, 9 May 2018
OUGD602 - Creative convos
This week, Alec organised a variety of professional creatives to come into uni to talk about their practice. I found these useful as gave more option on how I could progress after uni.
Rose Nordin
I found Rose's presentation to be one of the most useful as her practice is similar to mine, focussing on publication design. She is part of the OOMK collective and spoke about how she has used funding to fund her career. The notes are shown below.
Always work in print for interviews
Bookworks (good to stock work and have designer residencies)
Serpentine gallery
artist residencies
(some may not be paid however your own day rate comes from funding. £175 day rate when starting)
British Council
Rabbits road press
go to publishing fairs
Arts fund,
Art links,
Art Quest
Somerset house
Avoid doing any work for free
photocopy club
southyard zine fair
ASP fair
The Book Club
magculture talks once a month
Jeremy Lesley
Kiosk
Robot Food
Start with a workshop with the client
understand who you are designing for
Shout about the USP of the produce use TOV to bring personality to life
Identify a consumer who is not being catered for
design for the audience
spends a lot of time on research
Time spent on a project
2-3 days research
5 days - 2 weeks for a project (couple of designers work on each brief)
Tailor portfolio for where you want to work
Abraham from The Pop Up Agency
Check-in before every session to understand the team you work with.
why
challenge themselves and the industry by solving brief in 24 hours
no roles so constantly evolving and growing
we are a reaction of our time
always define a process for how you will work.
Asking clients if they know anyone who we can work with.
Understanding your business
Make a video explaining what you do
Use time wisely. Can't do it when you're done
try everything to evolve as a business
charge what you are worth. Nothing Less!
Abraham and the pop up agency were originally charging £600 for a consultation. changed to £36,000
divide salary:
salary 33%
expenses 33%
Savings 33%
Business must focus on:
Sales
Development
Execution
Need a good understanding of how to divide time.
60% of time on sales
20% development
20% doing client work and making money
Understand what value you are providing
The value of guidance
Being sustainable is the most important value.
Create your own opportunities.
Don't lose sight of the goal as it can often changge and adapt
Rose Nordin
I found Rose's presentation to be one of the most useful as her practice is similar to mine, focussing on publication design. She is part of the OOMK collective and spoke about how she has used funding to fund her career. The notes are shown below.
Always work in print for interviews
Bookworks (good to stock work and have designer residencies)
Serpentine gallery
artist residencies
(some may not be paid however your own day rate comes from funding. £175 day rate when starting)
British Council
Rabbits road press
go to publishing fairs
Arts fund,
Art links,
Art Quest
Somerset house
Avoid doing any work for free
photocopy club
southyard zine fair
ASP fair
The Book Club
magculture talks once a month
Jeremy Lesley
Kiosk
Robot Food
Start with a workshop with the client
understand who you are designing for
Shout about the USP of the produce use TOV to bring personality to life
Identify a consumer who is not being catered for
design for the audience
spends a lot of time on research
Time spent on a project
2-3 days research
5 days - 2 weeks for a project (couple of designers work on each brief)
Tailor portfolio for where you want to work
Abraham from The Pop Up Agency
Check-in before every session to understand the team you work with.
why
challenge themselves and the industry by solving brief in 24 hours
no roles so constantly evolving and growing
we are a reaction of our time
always define a process for how you will work.
Asking clients if they know anyone who we can work with.
Understanding your business
Make a video explaining what you do
Use time wisely. Can't do it when you're done
try everything to evolve as a business
charge what you are worth. Nothing Less!
Abraham and the pop up agency were originally charging £600 for a consultation. changed to £36,000
divide salary:
salary 33%
expenses 33%
Savings 33%
Business must focus on:
Sales
Development
Execution
Need a good understanding of how to divide time.
60% of time on sales
20% development
20% doing client work and making money
Understand what value you are providing
The value of guidance
Being sustainable is the most important value.
Create your own opportunities.
Don't lose sight of the goal as it can often changge and adapt
OUGD602 - Start up Wednesdays
As Ben and I are hoping to kickstart WYS next year an independent studio, we decided to attend the short courses on starting a new business and developing ourselves after graduating university, we attended as many of the sessions we could as we found these useful as we had previously not thought about the business and money side of things as much. Below show the notes I made on each of the sessions attended.
Being self employed
must learn a bit about everything however sales and marketing are most important.
starting up
profit, income and expenses
Printers find it easier to get work as a LTD company
changingcourse.com
have multiple sources of income
spend 4 days a week doing boring freelance work
2 days a week building business
provide a platform to expand the business.
Tax free until you earn £11,500
tax return tells government how much money you make each year up to the 5th April.
Don't pay tax until 31st Jan
29% of profits in tax
every business has:
sales (eg. £20,000)
costs/ expenses/ purchases (5000)
profit (15,000)
Copyright Laws
How to use copyright
Who owns copyright
Post-it trick - in order to prove that you were the creator of something you can post it to yourself to prove that you are the original creator (kept sealed)
How long does copyright last - 70 years
Copyright restrictions
Creative Commons
Public domain
Moral rights - Paternity/integrity/privacy
Marketing and PR
Building marketing approach
7p's of marketing (Product, price, place, promo, people, physical evidence and process)
Understand your product - Who are your competitors and target audience
Setting objectives - What do we want to achieve
40% Marketing 50% Making 10% Admin (time)
Features and benefits - Whats in it for the user
Pricing a service
Measuring success
Action Plan - Where do we want to be in 6/12/18 months
Business Structure
Sole Trader - easy to set up (GOV.UK) easy to go bankrupt
Limited (LTD) Company - Has a business structure and business is libable to invadiual
LLP Limited Liability Partnership
Checking business names - Company House website
TM - Free to use
R - Registration fee
Keeping records (Tax, transactions, achieve value, ownership)
Managing Money
Budgeting
Costing and pricing as an artist
Cash flow
Accounts
Overheads - Fixed cost and variable costs
Research and Development
Labour
Time costing (what is my time worth)
Targets (income)
Profit and loss
Tuesday, 17 April 2018
OUGD602 - Risograph Workshop
After speaking with one of the artists in residence at The Tetley about their Risograph machine we found out that Orlando, a tutor on our course often puts on courses and workshops to learn about zine making at the Tetley. Me and Ben decided to book onto this workshop to learn about Risograph and the other equipment the have available. Luckily for us, we were the only two people attending the workshop meaning we had the best opportunity to learn about Riso and how it can be used within our practice. We learnt how unpredictable Risograph can be because of how old the printers usually are. This can often cause the drum to bleed leaving unwanted marks on the resulting image. Despite this, Riso printing has benefits such as the ability to produce large print runs for a lower cost. Once the printed work has been transferred onto the drum the only print cost will be for paper. Because of this, Riso is useful for when a large quantity of prints are being produced.
Ben and I had the opportunity to experiment with Risograph ourselves, producing a poster to see how the process works for ourselves. The result is seen below:
Ben and I had the opportunity to experiment with Risograph ourselves, producing a poster to see how the process works for ourselves. The result is seen below:
OUGD602 - Presentation layout
To stay consistent through WYS and my PPP module I decided to produce a layout for presentations. This layout can be used for an presentations I have left to do on the course as well as if I ever need to present a piece of work to a client in the future. The design of this has been kept simple to work well with our identity showing only the logotype and contact info.
OUGD602 - Print Fairs
Print fairs can bbe a good way to promote ourselves as a studio and publishing house. In the future we hope to have a stall at various print fairs however, for now it will be useful to visit as many people as we can. We have already gone to the Artist Book fair at the Tetley (seen in an earlier blog) however below shows a list of other book fairs we hope to go to.
OUGD602 - Competitors
As part of the research we completed as part of the WYS identity we looked into our competitors and how we differ from them. This blog post looks more in depth into who they are and how they can influence our studio progression.
Kiosk
Catalogue
Palm Studios
(other publishing houses)
Kiosk
Catalogue
Palm Studios
(other publishing houses)
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